Released in 1984 as a successor to the Emulator I. The Emulator II featured expanded capability and a higher bit depth resolution; it became an instant classic. Since its release this big blue beast has featured on countless albums and songs, a few are:
New Order’s “Elegia”: most of the sounds
Depeche Mode’s “Somebody”: main melody
Genesis’s “Mama”: the distinctive drum
Tangerine Dream’s “Exit”: iconic choir
Unique for its integration of companding technologyand its use of SSM2045 filters
The SSM2045 24 dB/oct analog four-pole low-pass resonant filter boasts a warm organic sound. Which continues to inspire affection in sampler enthusiasts even today.
New original libraries are still being created nearly forty years later; an example is here:
JMPSynth offers free NEW library downloads!
Liquid stack
A-super-custom-E-mu-Emulator-ii-rack!! like the one pictured might be rarer than a white peacock. But it isn’t the only sampler that yields SSM2045 filter chips; albeit possessing a different timbre:
Sequential circuits Prophet 5 (Curtis)
Sequential circuits Prophet 600 (Curtis)
Oberheim OB-Xa (Curtis)
Ensoniq ESQ-1
Oberheim DPX-1
Named after Doug Curtis (1951-2007) the founder of Curtis Electromusic Specialties and OnChip Systems. The SSM2045 filter chip has a bright and clean sound. Whilst the SSM2045 of the EII and the ESQ-1 has a warm and smooth character. Visit ssmcurtis.com for further details on their SSM2045!
Life after Eμ
E-MU eventually became a subsidiary of Cre∆tive Technology. Most famous for its SoundBlaster soundcards which were a household name in the 1990s gaming world. After a short series of soundcards bearing the E-MU brand trading of the name eventually ceased.
Dave Rossum the co-founder of E-MU Systems went on to find the company Rossum electro music. They design and manufacture modular synthesis components, with – if you look for it, a firm nod to its heritage.
technology ➡ luminaries ➡ retrospectives ➡️
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